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Getting lost on Long Street Nights
![Getting lost on Long Street Nights](https://biz-file.com/c/1305/132376.jpg)
"When I issued the casting call for this production, I told potential actors that they needed to visit Long Street first," said director Nicky Rebelo, who, in the early 1980s, used to live above what is now Fiction Bar. "This was so that they could absorb the culture and vibe of the area. They then had to prepare a short audition monologue based on their experiences."
For every night over a two-week period, the group walked up and down Long Street from 9pm until 2am, soaking up as much as they could. "I warned them to be open minded and not to jump to conclusions on the first night," Rebelo said. "The trick is to go back and to visit the same spots every night. By doing this you start to discover life's different layers."
Six archetypes
![Getting lost on Long Street Nights](https://biz-file.com/c/1305/132377.jpg)
And so the six archetypes were born: a single mother and businesswoman with a suspicious "import/export" business (Riana Alfreds); a desperate and lonely karaoke DJ with fading dreams (Daneel van der Walt); a wild, headstrong girl from the "now" generation (Natasha Dryden); a young politician and tenderpreneur with a chip on his shoulder (Thami Mbongo); a naïve young man from the Eastern Cape (Thando Doni); and a sensitive barman with fantasies of being a rent boy (Antonio Fisher).
Each story is told as a mini-monologue with some of the characters crossing paths, much like in movies by Alejandro González Iñárritu (Babel, Biutiful, and so on). "We might not be living under apartheid any more, but there are still loads of relevant issues to unpack," Rebelo said. "What is unfolding on our streets? What are people thinking and saying? These are the things I'm interested in."
In the end, despite some comic moments and unnecessarily excessive laughter from the audience on opening night, each person is actually living quite a tragic life. Unfortunately, some scenes change so rapidly that the emotion from one spills over into the next, dampening the effect of both and making me wish there had been more breathing room for each vignette to have its full effect. But take a stroll down Long Street and you'll realise that these people do exist and that one of the characters was right to say that we're all alone in this together.
Long Street Nights is at Cape Town's Baxter Theatre until 1 June. Tickets are available from Computicket. For discounted block bookings, contact Sharon Ward (az.ca.tcu@draw.norahs and +27 (0)21 680 3962) or Carmen Kearns (dnaaz.ca.tcu@snraek.nemrac +27 (0)21 680 3993).
![Eugene Yiga](https://biz-file.com/b/1810/102978-140x140.jpg?4)
About Eugene Yiga
Eugene graduated from the University of Cape Town with distinctions in financial accounting and classical piano. He then spent over two-and-half years working in branding and communications at two of South Africa's top market research companies. Eugene also spent over three-and-a-half years at an eLearning start-up, all while building his business as an award-winning writer. Visit www.eugeneyiga.com, follow @eugeneyiga on Twitter, or email moc.agiyenegue@olleh to say, um, hello.![](https://cdn.bizcommunity.com/f/2408/Loeries-Tote-bag-competition.gif)
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